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Ríos de aire

Ríos de aire

  • SATB Choir & Wind Ensemble
  • c. 16:00
  • Consortium Commission


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✱ Available on June 1, 2026 ✱ 
(The exclusivity period for the commissioning consortium expires at this time.)

Vincent van Gogh’s often-told history includes his “unsuccessfulness” as a painter in his lifetime, how he cut off his ear, and his struggle with mental illness. But what is not often discussed is his beautiful approach to the world and to others; he loved deeply, he was generous to those in need, and sought beauty wherever he looked. Yes, he had major battles with his mental illness (and what many doctors believe was temporal lobe epilepsy), but most importantly: Vincent taught us to see the beauty of the world in a new way.

Walt Whitman, though living and creating an ocean away, shared many similarities with Vincent (and in his letters, Vincent wrote about reading and admiring Whitman). They were both largely self-taught and well-read, they sought jobs where they could help others, and saw the world in a way many people did not — a unique insight that shone through in their art. I imagine that Vincent was deeply inspired by Whitman’s words, and I feel this is evident in the scenes that Vincent captured in his paintings.

In “Vincent’s Sky,” I attempt to capture Vincent’s emotional state surrounding three of his paintings, influenced by the words of Whitman. I used a musical cryptogram, assigning pitches to letters, to spell words that would inform the musical content. For example, “VINCENT” is spelled with the notes A, B, G, C, E, G, F. 



I. Olive Trees

This painting pulsates with yellow rays emanating from the sun over a field of olive trees. Vincent associated yellow with happiness, and Whitman’s text for this movement celebrates color and light. 




II. Wheatfield with Crows

While this movement opens with a soaring admiration for the beauty of the earth, Vincent’s thoughts are soon overtaken by hallucinations, ghostly voices, and chaos. The dark, stormy sky and presence of crows (a symbol of death) foreshadow difficulties ahead. Vincent wrote in his letters about having hallucinations of the Horla during his psychotic episodes. The Horla, a story written by Guy de Maupassant in 1886, depicts the possession of the main character by a supernatural being after he waved to a “superb three-mast ship,” and how this being gradually takes over his mind.



III. The Starry Night

Vincent’s most iconic painting of the night sky is adapted from the view from his bedroom window at the Saint-Paul Asylum in Saint-Rémy-de-Provence where he admitted himself after a severe mental health crisis. Vincent’s fight against the “silent shadows” of his inner world come to life in the beauty of this night scene, in which the sky swirls with color and the stars shimmer with light. Whitman’s words bring us the hopeful twinkling of the stars in the face of life’s darkness.


Suggested Programming:

A Silence Haunts Me
Vincent's Sky


Full Resolution Images of the Paintings:

Instrumentation Players are one-on-a-part:

Flute 1, 2, & 3 (Fl. 1 doubles piccolo)
Oboe 1 & 2
Bassoon 1 & 2
Bb Clarinet 1, 2, 3, 4, 5, 6
Bass Clarinet
Alto Saxophone 1 & 2
Tenor Saxophone
Baritone Saxophone
Bb Trumpet 1, 2, & 3
F Horn 1, 2, 3, 4 
Trombone 1 & 2
Bass Trombone
Euphonium
Tuba
Double Bass
SATB Choir
Harp (optional)
Piano
Percussion (7 Players): Timpani, Crotales, Gloskenspiel, Vibraphone, Marimba, Triangle (3 small), Mark Tree, Clash Cymbals, Suspended Cymbals (small and reg.), Tam-Tam, Low Tom, Bass Drum (concert and marching/kick drum).

Duration 16:00

Year Completed 2025

Commissioner Consortium:
  • Baylor University - J. Eric Wilson & Kristina Caswell MacMullen
  • Bowling Green State University - Ken Thompson
  • California State University Fullerton - Robert Istad, Christopher Peterson, & Dustin Barr
  • California State University Long Beach - Jermie Arnold & Jonathan Talberg
  • Capital University - Lynda Hasseler & Ishbah Cox
  • Clemson University - Anthony Bernarducci & Mark Spede
  • College of Wooster - Lisa Wong & Jeff Gershman
  • Duke University - Verena Mosenbichler-Bryant & Allan Friedman
  • Florida State University - Michael Hanawalt
  • Georgia State University - Deanna Joseph & Robert Ambrose
  • Luther College - Andrew Last
  • Michigan State University - Sandra Snow & Kevin Sedatole
  • Montclair State University - Heather Buchanan
  • National Concerts - Matthew Workman
  • San José State University - Jeffrey Benson & David Vickerman (consortium lead)
  • South Dakota State University - Jacob Wallace
  • St. Olaf College - Henry Dorn
  • Texas Tech University - Alan Zabriskie & Sarah McKoin
  • University of California Los Angeles - James Bass & Travis Cross
  • University of Texas at El Paso - Andrew Hunter
  • University of Illinois – Kevin M. Geraldi & Andrea Solya
  • University of North Texas - Marques L. A. Garrett, Jessica Nápoles, & Andrew Trachsel
  • University of Texas El Paso - Elisa Wilson & Andrew Hunter
  • University of Wisconsin-Madison Bands - Scott Teeple
  • Vanderbilt University - Tucker Biddlecomb
Text Vincent's Sky
Adapted from letters of Vincent van Gogh and poetry of Walt Whitman.
(
Whitman texts in regular font, van Gogh in italics.)

I. Olive Trees

Shine!
Pour down your warmth, great sun!

Shot gold, maroon and violet, dazzling silver, emerald, fawn,
the earth’s whole amplitude consigned to colors;
pure luminous color fighting the silent shadows to the last. 

Prepare my lengthening shadows, 
prepare my starry nights.


II. Wheatfield with Crows

The whole of nature is so indescribably beautiful. 
I never tire of the blue sky. Pure luminous color.
This infinite earth, that infinite sky.

My life is under attack at the very root. 
I have set to work again, although the brush is nearly falling from my hands.
I have painted three more large canvases — they are vast stretches of wheat under troubled skies — and I didn’t have to try very hard in order to express sadness and extreme loneliness. 

Il me semble absurde que les hommes veuillent paraitre autre chose que ce qu’ils sont.
(It seems absurd to me that men want to appear something other than what they are.)

Un soleil dans la tete et un orage dans le coeur.
(A sun in the head and a storm in the heart.)

Wild, wild the storm, and the sea high running, 
Steady the roar of the gale, with incessant undertone muttering, 
Shouts of demoniac laughter fitfully piercing and pealing, 
Waves, air, midnight, their savagest trinity lashing.


III. The Starry Night

I hear you whispering there, O stars of heaven.

Up through the darkness, the ravening clouds shall not long be victorious.

The stars are immortal, they shall shine out again. They will endure.
The vast immortal suns, and long-enduring moons, shall shine again.

And over all, the sky—the sky! far out of reach, breaking out, the eternal stars.

My lengthening shadows…my starry nights.



Donations A portion of the proceeds from this work will be donated to the National Alliance on Mental Illness.